Here’s a video that may give you some thoughts for Thursday
Typography from Ronnie Bruce on Vimeo.
Here’s a video that may give you some thoughts for Thursday
Typography from Ronnie Bruce on Vimeo.
La Tourette monastery designed by Le Corbusier in the late 1950′s working in close collaboration with Iannis Xenakis a composer and music theorist. The facade proportions were designed to a musical structure and rhythm.
Alberto Duman & St. John Handley
Top Down
As Ballymun’s towers are demolished, artist Alberto Duman and architect St. John Handley propose to save the inner core of Plunkett Tower and transform it core into a 15 storey periscope, bringing to ground-level, views of Dublin previously seen only by the residents of the tower’s top floors.
Mimetic House (2006) by Dominic Stevens is an example of a structure that is rooted deep into the landscape on ground floor, and sitting lightly on top of it at first floor. The mirrored cladding allows it to recede into the landscape, while from inside on the first floor, the occupants are afforded many views of the landscape.
The Church of St Aengus, Burt, Co. Donegal was built in 1967, and designed by Liam Mc Cormick
The striking roof structure acts as beacon in the landscape externally and lightwell internally.
Saint Benedict Chapel (Capuletta Sogn Benedetg – 1988) was designed by Peter Zumthor.
The positioning in the landscape and simple use of materials allow it to both stand out and become part of the landscape.
The Farnsworth House (1946-1951) was designed by Mies van der Rohe, as a weekend retreat for Edith Farnsworth.
The minimal design and detailing allow the occupant a direct communication with the landscape. It is also cooled naturally, through shade and cross-breezes and heated through coils in the floor.
Goulding House was built in 1972, and designed by Ronnie Tallon of Scott Tallon Walker Architects. They restored it in 2001.
It works well as a minimal intervention in the landscape.
‘ learning in architecture actually means an expansion of references…’
-Alvaro Siza
from Siza, Alvaro: Immaginaire l’Evidenza, (Rome/Bari: Laterza, 1998) pp 23
We will be posting references from the group reviews to the blog over the next few days. Below are two to start.
The photographs and drawings are intended as starting points – if you are interested in the project, research it further and analyse the plans & sections. This way it will help you understand fully the relevance of the project to your own work.
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